136. The Hours – Michael Cunningham

History: Published in 1998, it won the 1999 Pulitzer Prize for Fiction,
Michael Cunningham took the novel's title (The Hours) from the original working title that Virginia Woolf used for Mrs. Dalloway.
Plot: The book concerns three generations of women affected by a Virginia Woolf novel.
The first is Woolf herself writing Mrs. Dalloway in 1923 and struggling with her own mental illness. The second is Mrs. Brown, wife of a World War II veteran, who is reading Mrs. Dalloway in 1949 as she plans her husband's birthday party. The third is Clarissa Vaughan, a lesbian, who plans a party in 1998 to celebrate a major literary award received by her good friend and former lover, the poet Richard, who is dying of AIDS.
The situations of all three characters mirror situations experienced by Woolf's Clarissa Dalloway in 'Mrs. Dalloway', with Clarissa Vaughn being a very literal modern-day version of Woolf's character. Like Mrs. Dalloway, Clarissa Vaughan goes on a journey to buy flowers while reflecting on the minutiae of the day around her and later prepares to throw a party. Clarissa Dalloway and Clarissa Vaughan also both reflect on their histories and past loves in relation to their current lives, which they both perceive as trivial. A number of other characters in Clarissa Vaughn's story also parallel characters in Woolf's 'Mrs. Dalloway.'
Cunningham's novel also mirrors 'Mrs. Dalloway's' stream-of-consciousness narrative style (a style pioneered by Woolf and James Joyce) in which the flowing thoughts and perceptions of protagonists are depicted as they would occur in real life, unfiltered, flitting from one thing to another, and often rather unpredictable. In terms of time, this means characters interact not only with the moment in the time in which they are living, but also shoot back to the past in their memories, and in so doing create a depth of history and backstory which weighs upon their present moments, which otherwise might appear quite trivial; buying flowers, baking a cake and such things.
Cunningham's novel also uses the device in Woolf's 'Mrs. Dalloway' of placing the action of the novel within the space of one day. In Woolf's 'Mrs. Dalloway' it is one day in the life of the central character Clarissa Dalloway. In Cunningham's book it is one day in the life of each of the three central characters; Clarissa Vaughan, Laura Brown and Virginia Woolf herself. Through this prism, Cunningham attempts, as did Woolf, to show the beauty and profundity of every day -even the most ordinary- in every person's life and conversely how a person's whole life can be examined through the prism of one single day.
Review: This is original in its inception being an involved narrative of three interwoven lives over 100 years, and he writes with great attention to detail and style, a feature which not everyone appreciates it seems. The plot was also complicated and twisted. I’d describe it as haunting. Cunningham invests even the characters’ simple acts with a significance that belies them. As he does so, he seems to be asking questions about just how insignificant our daily lives really are
Opening Line: She hurries from the house, wearing a coat too heavy for the weather.
Closing Line: “Come in, Mrs Brown,” she says. “Everything’s ready.”
Quotes: “We live our lives, do whatever we do, and then we sleep? it’s as simple and ordinary as that.”
Rating very good